Joseph NECHVATAL - Artist in residence, September 2015

 
Joseph Nechvatal's digital paintings conjure up an enigmatic world of almost dreadful depth – a depth that signals the dynamic critical intricacy of a contemporary practice engaged in the fragile wedding of image production and image resistance. His computer-robotic assisted paintings and animations are made up of an oddly excessive concoction of ambiguous sexual body parts (morphed from both sexes) and expressions of political ire that address the global influence of the viral form. Nechvatal brings a subversive reading to computational media by presenting an artistic consciousness that articulates contemporary concerns regarding safety, truth, identity and objectivity.
 
In the introduction to the book Selected Essays 1981-2001 by Peter Halley, Richard Milazzo describes Joseph Nechvatal’s theoretic output as a systematic onslaught of critical theory.
(Halley, Peter Selected Essays 1981-2001, Edgewise Press. 2013, pp. 34 – 35)

CV

Born 1951, Chicago, Illinois

Education

1999 Ph.D. in the Philosophy of Art at the Centre for Advanced Inquiry in the Interactive Arts (CAiiA-STAR), University of Wales, Newport, Wales, U.K.
1977-1978 M.Phil Work in Philosophy Columbia University
1974-1975 M.F.A. Studio Work Cornell University
1974 B.F.A. Southern Illinois University

Professional experience

1999-2014 Professor at The School of Visual Arts (SVA), NYC
2003-2009 Professor at Stevens Institute of Technology, Hoboken, N.J.

Grants

1983 Caps Grant, Painting
1985
National Endowment for the Arts, Painting
National Endowment for the Arts, Opera and Musical Theater
Massachusetts Council of the Arts, Performance
1986
National Endowment for the Arts, InterArts
Foundation for Contemporary Performance Arts, Inc.
1988 New York, NY Foundation for the Arts, Painting
1989 Pollock-Krasner Foundation Award
1991-1993
Artist-in-Residence, Arbois, France
1992-1993 Artist-in-Resident, Fondation Claude-Nicolas Ledoux's computer lab in Arc-et-Senans, France
1992 New York, NY Foundation for the Arts, Painting
1995 Artist-in Residence, Cite des Art Internationale, Paris
1996-1998 Research Fellowship,University of Wales, CAiiA, Newport, U. K.
1997 New York Foundation for the Arts: Computer Arts
2003 New York Foundation for the Arts: Computer Arts

Solo exhibitions (selected)

2015 bOdy pandemOnium, Art Laboratory Berlin, Berlin, DE
2014
PrOtOcOls nOn, Galerie Richard, Paris, FR
Joseph Nechvatal: From Photography to Post-Photography, Galerie Omnius, Arles, FR
2013
Aesthetic States of Frenzy, The New School, April 13th (projection/reading) New York City, USA
Destroyer of Naivetés (live projection), Neurosciences, Esthétique et Complexité, GDR ESARS, Paris, FR
2012
nOise anusmOs, Galerie Richard, New York City, USA
Immersion Into Noise, performance/lecture, Zentrum für Kunst und Medientechnologie (ZKM), Karlsruhe, DE
2011 Viral Venture large screen projection, Beatrice Theatre, School of Visual Arts, New York City, USA
2010
Art Rétinal Revisité: Histoire de l’Oeil, Galerie Jean-Luc & Takako Richard, Paris, FR
vOglia, Claudio Bottello Galerie, Torino, IT
Viral Venture, École Supérieure d'AudioVisuel, Université de Toulouse le Mirail, Toulouse FR
2009 terra incOgnitO, Wm Turner Gallery, Atlanta, Georgia, USA
2008 Joseph Nechvatal: Recent Paintings, Galerie Jean-Luc & Takako Richard, Paris, FR
2006
Joseph Nechvatal, The Butler Institute of American Art's Beecher Center, Youngstown, Ohio, USA
Metaphysics and the Virtual, Roger Smith Lab Gallery, NYC, USA
2005
cOntaminatiOns, Le château de Linardié,  Senouillac, FR
Translaocation of the Virtual Reality, Galerie In Situ, Aalst, BE
Ex-naturae, la Chapelle des Templiers, Metz, FR
2004
Aventures Virales, Galerie Mabel Semmler, Paris, FR
Real Time, Universal Concepts Unlimited Gallery, New York City, USA
After Virus, Galerie RLBQ, Marseille, FR
Viral Counter-Attack,Espace Landowski, Paris, FR (with Music2eye)
After Attack, Heart Galerie, Paris, FR (with Music2eye)
2002 vOluptuary : an algorithic hermaphornology, Universal Concepts Unlimited Gallery, New York City, USA
2001
SilicOn valley : nunciative mOdality and a viral redux, Galerie Karin Sachs, Munich, DE
Compliant 2.0 Libidinal Bodies in the Bit-stream (Enhanced Corpus Rotundum), Julia Friedman Gallery, Chicago, USA
Transformers (with Virus Projects 1.0 & 2.0) Moving Image Gallery, New York City
2000 ec-satyricOn 2000,Universal Concepts Unlimited Gallery, New York City
1999 Viral Beauty, Boston Cyber Arts, Boston
1997 Das Neural Netz, (collaboratively with Mathias Groebel) Galerie Karin Sachs, Munich, DE
1996
Joseph Nechvatal Retrospective, Galerie Berndt, Köln (catalogue), DE
Joseph Nechvatal & Steve Miller,Parsons Gallery, Paris, FR
Les Archons Galerie Multimédia IESA Institut d’Etudes Supérieures des Arts, Paris, FR
1995
Alt.sex, (collaboratively with Mathias Groebel) Galerie In Situ, Aalst, BE
Les Archons, Galerie Multimedia, Paris, FR
Angels, Broken Hearts and Computer Viruses, Galerie Karin Sachs, Munich, DE
1994
Computer Virus Project, Espace d'Art Yvonamor Palix, Paris (catalogue), FR
Information Bruit Culture, Galerie Traje, Besancan, FR
Computer Virus Project, Galerie In Situ, Aalst, BE (catalogue)
1993
Computer Virus Project, The Saline Royale, Arc-et-Senans, FR (catalogue)
The Destiny of Painting, Galerie Karin Sachs, Munich, DE
1992
Joseph Nechvatal, Galerie Antoine Candau, Paris, FR
Tombeaux, Brooke Alexander, New York, NY, NY
1991 Joseph Nechvatal, Shoshana Wayne Gallery, Santa Monica, CA, USA
1990
Joseph Nechvatal, Musee des Beaux Arts de Dole, FR (CD Rom catalogue)
Joseph Nechvatal, Brooke Alexander, New York, NY (catalogue)
Joseph Nechvatal, Galerie Karin Sachs, Munich, DE
Joseph Nechvatal, Galerie Antoine Candau, Paris, FR (catalogue)
1989 Joseph Nechvatal,Gallery Fahl, Stockholm, SE
Joseph Nechvatal, Anders Tornberg Gallery, Lund, SE (catalogue)
Joseph Nechvatal, Shoshana Wayne Gallery, Santa Monica, CA, USA
1988 Joseph Nechvatal Computer-Robotic Paintings: 1986-1987, Illinois State University, Normal (catalogue)
Joseph Nechvatal, De Selby Gallery, Amsterdam, NL
Joseph Nechvatal, Galerie Antoine Candau, Paris, FR
1987 Joseph Nechvatal, Brooke Alexander, New York, NY
Joseph Nechvatal, Neuer Aachener Kunstverein, Aachen, DE
Joseph Nechvatal, Gallery Engstrom, Stockholm, SE
1986 Joseph Nechvatal: Photographs,Greathouse, New York, NY
Joseph Nechvatal, Anna Friebe Galerie, Cologne, DE
Joseph Nechvatal, Vanquard Gallery, Philadelphia, USA
1985 Joseph Nechvatal, Brooke Alexander, New York, NY
Joseph Nechvatal, Anders Tornberg Gallery, Lund, SE
XS: An Installation, Gray Art Gallery, East Carolina Univerity, Greenville (catalogue)
1984 Joseph Nechvatal, Brooke Alexander, New York, NY (catalogue)
Joseph Nechvatal: Grace Under Pressure,Gallery Nature Morte, New York, NY
1983 Joseph Nechvatal, Brooke Alexander, New York, NY
Joseph Nechvatal, Semaphore Gallery, New York, NY
Joseph Nechvatal, Spiritual America, New York, NY
1982 Joseph Nechvatal: When Things Get Rough on Easy Street, The Kitchen, New York, NY
1981 Joseph Nechvatal: The End of the World,  Real Art Ways, Hartford, Ct.
The Occult Power of Technology: Part I, P.S. #1, Long Island City, NY
The Occult Power of Technology: Part II, The Drawing Center New York, NY
1979 Methadone Median, abandoned methadone center on west Canal Street, New York, NY

Group exhibitions (selected)

2014 Paris: 25 Years,Galerie Richard, Paris, FR
The Real Estate Show,What Next, James Fuentes Gallery, New York, NY
RESx, ABC No Rio, New York, USA
20ème anniversaire de l'IESA multimedia, Espace Pierre Cardin, Paris, FR
2013 NOISE, Esposizione Internazionale d’Arte La Biennale di Venezia – Eventi Collaterali, curated by Bruno Barsanti & Alessandro Carrer (based on J. Nechvatal book: Immersion Into Noise), Venice, IT (catalogue)
XFR STN, The New Museum, New York, USA
Oltre il sublime: Nuove frontiere della (de)figurazione estetica, Trieste Luisi S.P.A. ArtSpace, curated by Maria Campitelli & GianCarlo Pagliasso, Trieste, IT (catalogue)
Machinarium, OI FUTURO, Rio de Janeiro, BR, curated by Claudia Tavares & Monic& Mansur
Mouvements & Lumières, Centre d'art contemporain Frank Popper, Marcigny, FR
It;s New It's Now, Minneapolis Institute of Art's, Minneapolis, Minnesota, USA
Into the Light, Marjorie Barrick Museum, University of Nevada Las Vegas, Las Vegas, Nevada, USA
2012 Un point d’arrêt favorable au rejaillissement autour de Georges Bataille, Galerie Hors-Champs, Paris, FR
One Year in New York, Galerie Richard, New York, USA
Science Art 2: Non & Digital, Central House of Artists, Moscow, RU, Immersion Into Noise installation
Shanghai Biennale, Power Station Contemporary Art Museum, Shanghai, CN, Immersion Into Noise presentation and workshop
Desperately Seeking Susan, Kathleen Cullen Fine Arts, New York, USA
Show Off foire, 4 rue des Filles du Calvaire, Curator: Dominique Moulon, Paris, FR
2011 A Show about Colab (and Related Activities) Printed Matter, New York, USA
Art, Access & Decay: New York 1975-1985, Subliminal Projects, Los Angeles
Looking at Music 3.0, (Tellus) MOMA, New York, USA
Art Protects, Galerie Yvon Lambert, Paris, FR
Pixxelpoint, Nova Gorica, SI
Papay Gyro Nights 2011 Art Festival, Tredall, Papay Westray, Papay, Orkney  
Faculty Selects, Fine Arts Gallery, Westchester Community College, Valhalla, NY, USA
2010 Parallel Threads, School of Visual Arts Gallery, New York, USA
Electronic work in the Collection Frank Popper, Centre d'Art Contemporain Frank Popper, Marcigny, FR
2009    Art Protects, Galerie Yvon Lambert, Paris, FR
Collection of Frank Popper, Centre d'Art Contemporain Frank Popper, Marcigny, FR
Redux, Wm Turner Gallery, Atlanta, Georgia, USA
Colab Show, 100 Church Street, New York, USA
2008 Beaux Arts: French Contemporary, Wm Turner Gallery, Atlanta, Georgia, USA
Colab Reduxe, Brooke Alexander Gallery, New York, USA
After The Net, Observatori, Valencia, ES (catalogue: Observatori 2008: After The Future, p. 80)
ECAM 2008, The National Center for the Arts, Mexico City, MX
Continuous Current, Westside Gallery, New York, USA
2007 The End(s) of Photography: Modeling the Photographic, McDonough Museum of Art, Youngstown, Ohio, USA
Insatiable Streams, Beijing BS1 Contempoary Art Center, Caochangdi, CN
iea: Ten Years of The Institute for Electronic Arts, BS1 Contemporary Art Center and Zero Field Art Center, Beijing, CN
Sound Art in a Limo,in cooperation with the Armory Art Fair, curator Holly Crawford, NYC, USA
AIDES,Yvon Lambert, Paris, FR
2006 The Downtown Show : The New York Art Scene 1974-1984, Grey Art Gallery. NYU, New York City, USA 
Reshuffle, Center for Curatorial Studies Bard College, New York City, USA
Copilandia, Gratis, Sevilla, ES
Copilandia, Gratis, Sevilla, Spain, ES
The Downtown Show : The New York Art Scene 1974-1984, Andy Warhol Museum, Pittsburgh
Numeripop, Viral Counter Attack (with music2eye) St Brieuc, FR
The Downtown Show : The New York Art Scene 1974-1984,Austin Museum of Art, Texas 
Honest Echo, 2 X 13 Gallery, New York City
Computer Fine Art Collection of Doron Golan, [DAM] Ausstellungsräume des Digital Art Museum, Berlin, DE
Re:connect, Institute for Electronic Arts, Alfred, NY
2005 ElectroScape Shanghai Zendai Museum of Modern Art, Shanghai, CN
6eme carrefour de l'image de l'Océan Indien, Le Port. Ile de la Réunion
Vintage East Village, Hal Bromm Gallery, New York
2004 Digital Sublime :Gwangju Biennale MOCA Taipei (catalogue)
reprotech, New York Academy of Science, New York City (catalogue)
Hyper-Runt: Anxiety and Malformation in the Techno Womb, Inliquid, Philadelphia
Art In Motion, University of Southern California School of Fine Arts, L.A.
Touch and Temperature, Bitforms Gallery, New York City
trans>, Participant Inc, New York City
Viral Counter Attack, Art Metz. Foire européenne d'Art Contemporain. Image-Mouvement, Metz FR (with music2eye)
Digital Stories,[DAM] Ausstellungsräume des Digital Art Museum, Berlin, DE 
Viral Counter Attack, Résidence à la Gaîté lyrique. Paris. France (with music2eye)
East Village USA, New Museum, New York  (catalogue)
Touch and Temperature, Deborah Colton Gallery, Houston
Viral Counter Attack,  Festival Art-borescence 01  Paris. FR (with music2eye)
Viral Counter Attack, Galerie RLBQ. Festival RIAM01. Marseille. FR (with music2eye)
2003 Synthetic Lightings: Complex Simulations of Nature, Center for Photography, Woodstock, NY
Polarities, The Wall Street Journal Lobby Gallery, New York City (catalogue)
FuturNET, Rome, IT
NOTEBOOK, Artscape, Pinkard Gallery, Maryland Institute College of Art, Baltimore
Peam2003, Pescara Italy (CD-Rom catalogue)
THE SPIRITUAL IN DIGITAL ART, Evergreen Cultural Centre, Coquitlam, Canada
Open For Action, The Center For Book Arts, New York, NY
2002 Post-Flesh, University Gallery, California State University, Sacramento, CA
media_city seoul 2002, Seoul Museum of Art, Seoul, KR (catalogue)
Ornamente  : 3 Positions of Conceptual Art, Galerie Berndt, Koln, DE
NIGHT VISION, Illinois State University, Normal, Illinois (catalogue)
Contaminaction, Jeune Creation, Paris, FR
Reality Revisited, IN SITU, Aalst, Belgium (web catalogue http://www.eyewithwings.net/reality_revisited)
Reality Revisited, Galerie Martin Kudlek, Koln, DE (web catalogue)
NIGHT VISION, White Columns, New York City (catalogue)
SPLIT FESTIVAL, Split, HR
info@blah :: mining the data glut, iKatun, Boston
2001 LE PROJET VIRUS 2001, Mains D’Oeuvres, Paris, FR
Cin-o-matic: Memory and Cinematic Perception, T he New Museum, New York City
The Collector, Universal Concepts Unlimited Gallery, New York City
1.44 Megs, Moving Image Gallery, New York City
The Graphic Art Biennial, Győr, HU
2000 R.E.D. - Remote Experience Dependency, UCU Gallery, New York City
Noise: The Digital and the Discrete,Whipple Museum of the History of Science, Cambridge (catalogue, with essay by Bruno Latour)
The Perpetual Well, Samuel Harn Museum of Art, Gainesville, Florida
The Perpetual Well, Parrish Art Museum, Southhampton, NY
Rounders, UCU Gallery, New York City
polyALTERITY, UMF Art Gallery, Farmington, Maine (catalogue)
1999 Reflex: Matthias Groebel, Joseph Nechvatal & Endre Tót, Galerie Berndt, Koln, DE
Digital Hybrids, McDonough Museum of Art, Youngstown, Ohio (catalogue)
The Techo-Digital Sublime, Central Fine Arts, New York City
MA(R)KING, Central Arts, Tuscon, curated by Elaine E. King (catalogue)
Three Computer-related Artists, Galerie Berndt, Köln, DE 
Links: Schilderkunst in Extremis? Kunstcentrum Sittard, Maastricht
Diverse Dialogues, Aljira Center for Contemporary Art, Newark
Old School, Life, New York City, curated by Carlo McCormick
1998 Body Mécanique, Wexner Center, Columbus Ohio (catalogue)
Thundergulch: Computer Arts Fellows, NYC Technology Center 
Chaos and Capacity, Central Fine Arts, Inc. NYC
1997 Art Fractal, Gallerie Ricard, Paris, FR (catalogue)
Zoom (Fractal), Stae University of New York, NY, Purchase (catalogue)
1995 BLAST Bioinformatica, Kolnischer Kunstverein, Koln, DE (catalogue)
BLAST, Galerie des Archives, Paris, FR (catalogue)
Veered Science, Huntington Beach Art Center, California (catalogue)
In Corpus Machina, Espace d'Art, Paris, FR
BLAST Bioinfomatica, Javier Lopez Gallery, London, UK
Reinventing The Emblem, Yale University Art Gallery (catalogue)
Die Schnheit Der Fraktale, Galerie Karin Sachs, Munich, DE
Transiti, Arx Art Gallery, Torino, IT (catalogue)
Art Fractal: été,Galerie Angle Art Contemporain, St. Paul-Tro Château
1994 Excess in the Techno-Mediacratic Society, Shoshana Wayne Gallery, Santa Monica, Ca. (curated by Joseph Nechvatal) (catalogue)
Art & Virus, Gallery Yaki Kornblit, Amsterdam, NL (catalogue)
Tohu-Bohu, esthétiques de la complexité fractale, Galerie de l' etoile, Paris, FR (catalogue)
Art & Virus, Galleria Del Ventaglio Contemporanea, Udine, IT (catalogue)
Lo Specchio di Proteo, Perugia, Alessandria, IT (catalogue)
Figures d'Origines, Chapelle Salpetriere, Paris, FR (catalogue)
1993
Computeruntersttzte Kunst, Kunstlerwerkstatt, Munich, DE (catalogue)
L'Opera Al Femminile, Galleria Arx, Torino, IT
Bodies, Atelier of Philip Pocock, Köln, DE
Excess in the Techno-Mediacratic Society, Musee D'Arbois, FR (curated by Joseph Nechvatal) (catalogue)
Excess in the Techno-Mediacratic Society,Galerie Krinzinger, Vienna, AT (curated by Joseph Nechvatal) 
Erlebnis E Alterita, Galleria Marco Noire, Torino, IT (catalogue)
Hiding / Revealing, Galerie In Situ, Aalst, BE
La Fractalite Dans L'Art, Campus de La Doua, Villeurbanne, FR (catalogue)
Mediale Hamburg (catalogue)
Painting as Paradigm, Stark Gallery, New York, NY
Procedures: Informatiques, Ecole Nationale Superieure des Beaux Arts, Paris, FR
Presentation, NeuerAachenerKunstverein, Aachen, DE
1992 Ecstasy, Dooley Le Cappellaine, New York, NY
L'Epreuve Numerique, Centre National de la Photographie, Paris, FR
New York, NY Artists, Galerie Bernhard Steinmetz, Bonn, DE
10th Anniversary Visiting Artists Exhibition, Ewing Gallery, University of Tennessee at Knoxville
Representation, Reproduction and Photography, Usdan Gallery, Bennington College, Bennington, VT
1991 Outside Ameirca: Going into the 90s, Fay Gold Gallery, Atlanta
1990 20th Anniversary Exhibition White Columns, New York, NY
All Quiet on the Western Front, Galerie Antoine Candau, Paris (catalogue)
Exchange of Information, New York, NY Telephone New York, NY
Le Tableau des Riches Inventions, Picaron Editions, Amsterdam, NL
The Unique Print: 70s into 90s, Lois & Michael Torf Gallery, Museum of Fine Arts, Boston
1989 Theater on Paper, The Drawing Center, New York, NY
Once upon A Time There Was A Photograph, Barbara Gillman Gallery, Miami
After Collapse: Rebuilding Expressive Media, State University, Amherst, Ma.
Strange Attractors: Signs of Chaos, The New Museum of Contemporary Art, New York, NY (catalogue)
Standplaats AKI, Akademie Voor Beeldende Kunst, Enschede, NL
Moderne Kunst, Malmo Kunsthallen Brandts Klaedefabrik, Odense, Malmo SE
Erotic America, (curated by Joseph Nechvatal) Galerie Antoine Candau, Paris, FR (catalogue)
1988 Art at the End of the Social, Rooseum, Malmo, SE (catalogue)
New Visions of the Apocalypse, Museum of Art, Rhode Island School of Design, Providence (catalogue)
New York, NY Now, Guthenberg Art Museum (traveled in Sweden and Finland) (catalogue)
Perpetual Subversions, Bruno Facchetti, New York, NY
Computer Assisted: The Computer in Contemporary Art Freedman Gallery, Albright College, Reading, Pa.
Committed to Print, The Museum of Modern Art, New York, NY (catalogue)
1987
Chemical Field, De Zaak, Groningen
Digital Visions: Computers and Art, Everson Museum of Art, Syracuse (catalogue)
Digital Visions: Computers and Art, IBM Gallery NYC (catalogue)
New Coordinates, Simard, Halm and Shee Gallery, Los Angeles
Documenta 8, Kassel DE (catalogue)
This is not a Photograph: Twenty Years of Large-Scale, Photography: 1966-1986, The John & Mable Ringling Museum of Art, Sarasota, Fl. (catalogue)
This is not a Photograph: Twenty Years of Large-Scale, Photography: 1966-1986, Akron Art Museum, Ohio (catalogue)
This is not a Photograph: Twenty Years of Large-Scale, Photography: 1966-1986, The Chrysler Museum, Norfolk, Va. (catalogue)
1986 Drawings from the Collection of Dorothy and Herbert Vogel, University of Arkansas at Little Rock
Drawings from the Collection of Dorothy and Herbert Vogel, University of Alabama Moody Gallery of Art 
Drawings from the Collection of Dorothy and Herbert Vogel, Tuscaloosa Pennsylvania State University 
Drawings from the Collection of Dorothy and Herbert Vogel, Palmer Museum of Art, University Park
Il Cangiante, Padiglione d'Arte Contemporanea, Milano, IT
Metabody, Hallwalls, Buffalo, NY (catalogue)
Spiritual America, CEPA, Buffalo, NY
Pay Attencion, Brandts Palchus Galleri, Copenhagen, DK
Drawings, Piezo Electric, New York, NY
Time after Time, Diane Brown Gallery, New York, NY
Face It, Anders Tornberg Gallery, Lund, SE
1985 Infotainment,Texas Gallery, Houston (catalogue)
Infotainment, Rhona Hoffman Gallery, Chicago (catalogue)
Infotainment, Vanquard Gallery, Philadelphia (catalogue)
Infotainment, Aspen Art Museum, Aspen Colo. (catalogue)
Infotainment, De Selby Gallery, Amsterdam (catalogue)
Infotainment, Galerie Montenay-Delsol, Paris (catalogue)
Correspondences: New York, NY Art Now, Laforet Museum Harajuku, Tokyo (catalogue)
Correspondences: New York, NY Art Now, Tochigi Prefectural Museum of Fine Arts, Utsunomiya
Correspondences: New York, NY Art Now, Tagaki Hall Espace Media, Kobe (catalogue)
Anniottanta Castel Sismondo, Palazzina Moster, Chiesa di Santa Maria ad Nives, Rimini, IT
Anniottanta Castel Sismondo, Galleria Comunale d'Arte Moderna, Bologna, IT
Whitney Biennial: Group Material, The Whitney Museum of American Art, New York, NY
Memento Mori, Moore College of Art Gallery, Philadelphia (catalogue)
1984 Drawings, Paintings, and Sculpture, Brooke Alexander, New York, NY
Smart Art: New Work from New York, NY, Carpenter Center for the Visual Arts, Harvard University, Cambridge, Ma. (catalogue)
Disarming Images: Art for Nuclear Disarmament, Contemporary Arts Center, Cincinnati (catalogue) (travelled to ten institutions in the United States)
Via Satellite, Amerika-Haus, Cologne, DE (catalogue)
Natural Genre, Fine Arts Gallery, School of Visual Arts, Florida State University (catalogue)
The New Capital, White Columns, New York, NY (curated by Collins & Milazzo)
Drawings by Contemporary Figurative Artists, Meyerhoff Gallery, Maryland Institute, College of Art, Baltimore (catalogue)
Humanism: An Undercurrent, University of South Florida, Tampa
Romance and Catastrophe, Piezo Electric, New York, NY
Contemporary Perspectives, Center Gallery, Bucknell University, Lewisburg, Pa.
Motives, Albright-Know Art Gallery, Buffalo, NY (catalogue)
New York, NY New: 26 Artists, Studio di Corrado Levi, Milano (catalogue)
Dessins, Gillespie-Laage-Salamin, Paris, FR
1983 New York, NY,  Kunstmuseum, Aalborg, DK (catalogue)
New York, NY, Randers Kunstmuseum (catalogue)
Contemporary Drawings, Barbara Krakow, Boston
Four New York, NY Artists, Jack Tilton Gallery, New York, NY
Rotating Group Show, Paula Cooper Gallery, New York, NY
Speed Trials, White Columns, New York, NY
Joseph Nechvatal / Not Vital / Robin Weglinski, Gallery Nature Morte, New York, NY
1982 The Atomic Salon, Ronald Feldman Gallery, New York, NY
1981 The Positive Show, ABC No Rio, New York, NY
New Drawings, The Drawing Center, New York, NY (catalogue) 
The Doomsday Show, Artists Space, New York, NY
The Monumental Art Show, Brooklyn, NY
The Inauguration Show, ABC No Rio, New York, NY
1980 Colab : Collaborative Projects, Brooke Alexander, New York, NY
Murder, Suicid &, Junk, ABC No Rio, New York, NY
Artists for Survival, ABC No Rio, 
The Times Square Show, Times Square, New York, NY

Audio work (excluding numerous cassette compilations)

2015 3 pOstmOrtems  (for Dieter Roth), noise music performance at Art  Laboratory  Berlin, DE
2014 A three minute excerpt from viral symphOny was included on Master Cactus, a special edition issue cassette release curated by Gen Ken Montgomery Cassette
2013 Gen Ken Montgomery performed and recorded 3 pOstmOrtems (for Robert Rauschenberg) - an adaptation of the last movement from viral symphOny - as part of his Generator Sound Art exhibition held at Audio Visual Arts gallery (AVA) in New York City on October 3rd, 2013
2012 viral symphOny was re-mastered into 5.1 surround sound and presented as an immersive concert on April 12, 2012 at Harvestworks in New York City
The complete viral symphOny was performed as the soundtrack to a digital art projection by Joseph Nechvatal (in collaboration with Stephane Sikora) on April 28, 2012 at Galerie Richard in New York
2010
The complete viral symphOny was Web published in 2010 as part of the W2F Festival
Viral Concerto by Rhys Chatham (based on the viral symphOny) was performed at Galerie Richard (Paris) on September 26, 2010
The complete viral symphOny was performed as the soundtrack to a digital art projection by Joseph Nechvatal (in collaboration with Stephane Sikora) on September 26, 2010 at Galerie Richard in Paris
viral symphOny performed in its entirety on web radio SYN France from September 30 to October 7th three times a day
2009 viral symphOny performed in its entirety at Diapason, Brooklyn, New York, Feb. 13th
SoundLAB VI selected artist
viral venus vibratOr web published at Soanyway: http://www.soanyway.org.uk/josephnechvatal.htm
2008 viral symphOny chosen as prize winner  at the 9th Festival Internacional de Investigación Artística de Valencia, After The Net, 5 – 29 June 2008, Valencia, Spain (catalogue: Observatori 2008: After The Future, p. 80)
viral symphOny (28'09") and murmuring tOngue Of Ovid (20:53) web published at UbuWeb http://www.ubu.com/sound/nechvatal.html
viral symphOny, CD produced by the IEA label
2000 ~~~~~~~~~~~~~~~~~venus©-~Ñ~vibrator, even, CD with electronic musical background generated by David Myers,  produced  by David Myers @ www.generatorsoundart.org
1988 Tellus #20 Media Myth, Audio Cassette Magazine, curated by Joseph Nechvatal
1986 Tellus #13 Power Electronics, Tellus Audio Cassette Magazine, curated by Joseph Nechvatal
Babbling Tongues of Metamorphosis, audiocassette produced by Sound of Pig Music
1985 True and False, audiocassette produced by XOX
New York Radio Night, Joseph Nechvatal & Tron Von Hollywood, audiocassette produced by Sound of Pig Music, SOP 168       
German Future - European Plan, audiocassette produced by Sound of Pig Music, SOP 277
1984 Reckless, audiocassette produced by Sound of Pig Music, SOP 217 
Purge (One Continuous Loop), audiocassette produced by Sound of Pig Music, SOP 273
1983 Sleep, audio cassette produced by Sound of Pig Music SOP 14

Installations and Performances (selected)

2015 3 pOstmOrtems  (for Dieter Roth), noise music performance at Art  Laboratory  Berlin, DE
2010 viral symphOny: a-life live projection followed by viral cOncertO a musical collaboration with Rhys Chatham, Galerie Jean-Luc & Takako Richrad, Paris, September 26th
2002 Victoria High Quality reads ~~~~~~~~~~~~~~~~~venus©-~Ñ~vibrator, even, Universal Concepts Unlimited, NYC
1991 Dilation, performed by the ballerina Lauren Houser at the residence of Bil Ehrlich, New York, NY, USA
1989 The Man Who Believed He Could Move: A Celebration of the Bicentennial of the French Revolution, Collaboration with Yves Musard, Dia Art Foundation, New York, NY, USA
1987 Not a Door; A Spectacle, a collaboration between Scott B. Billingsley and Joseph Nechvatal, Hallwalls, Buffalo NY
1986 XS: The Opera, a collaboration with with Rhys Chatham, Shakespeare Theatre, Boston, USA
1985 The End of the Night, a video collaboration with with Rhys Chatham,  Los Angeles County Museum of Art
XS: Night of Power, a collaboration with with Rhys Chatham, 8 BC, New York, NY
XS: Night of Power, a collaboration with with Rhys Chatham, Quando, New York, NY
1984 XS: The Opera Opus, a collaboration with with Rhys Chatham, Pyramid Club,  New York, NY
XS: The Opera Opus, a collaboration with with Rhys Chatham, Club Danceteria,  New York, NY
XS: The Opera Opus, a collaboration with with Rhys Chatham, 8 BC Club,  New York, NY
XS: The Opera Opus, a collaboration with with Rhys Chatham, Dannheisser Foundation, New York, NY
1983 Isle of Dread, Lower Manhattan Cultural Council, 71 Broadway and 120 Broadway, New York, NY
Future V Installation, 93 Prince Street, New York, NY
1982 Blame it on the Brain Installation, Zippers Night Club, New York, NY
1981 Contemporary Psychedelia Installation, Club Inroads, New York, NY
Free Speech on Broadway Performance, Performance with Carol Parkinson and Cid Collins, New York, NY
1978 European Art/Performance, with Carol Parkinson and Cid Collins, Tour Centre of Experimental Theatre, Antwerp
European Art/Performance, with Carol Parkinson and Cid Collins, Ecole d'Architecture , Tournai
European Art/Performance, with Carol Parkinson and Cid Collins, Theatre on the Rijn, Arnhem, The Netherlands

Publications by the Artist (selected)

Nechvatal, J. 2014 onward: Collected critical art writings at Hyperallergic http://hyperallergic.com/author/joseph_nechvatal/
Nechvatal, J. 2014. (book/cd) (ed.) Minóy, Punctum Press & Punctum  Records. Brooklyn, New York & Austin, Texas
Nechvatal, J. 2011. (book), Immersion Into Noise, Open Humanities Press with University of Michigan. Ann Arbor, MIchigan
Nechvatal, J. 2009. (book), Towards an Immersive Intelligence: Essays on the Work of Art in the Age of Computer Technology and Virtual Reality (1993-2006) Edgewise Press,  New York, NY 
Nechvatal, J. 2006, Jean Baudrillard and a Counter-Mannerist Art of Latent Excess, International Journal of Baudrillard Studies, Volume 3, Number 2 (July 2006).
Nechvatal, J. 2005, Immersive Excess in the Apse of Lascaux, Technoetic Arts 3:3, pp. 181-192
Nechvatal, J. 2004, Origins of Virtualism: An Interview with Frank Popper Conducted by Joseph Nechvatal  Spring 2004 issue of the CAA Art Journal pp. 62-77
Nechvatal, J. 2004, Frank Popper and Virtualised Art, Winter 2004 tema celeste magazine: issue #101, pp. 48-53
Nechvatal, J. 2003, Voluptuous Viractualism, in Simultaneita : New Media Arts Magazine, 01/2003, pp. 25-29
Nechvatal, J. 2003. Joseph Nechvatal, CD-rom produced by Music2eye at the MFA Computer Art Dept. at the School of Visual Arts
Nechvatal, J. 2002, Hotlist : The Esoteric Arts, Artforum Magazine
Nechvatal, J. 2001, Towards an Immersive Intelligence in Leonardo 9th New York Digital Salon special issue
Nechvatal, J. 2001, Artists and War : La beauté tragique: Mapping the Militarization of Spatial Cultural Consciousness in Leonardo 34.1 (2001) 27-29 and at: http://muse.jhu.edu/demo/len/34.1nechvatal.html#authbio
Nechvatal, J.  2001. La Beaute tragique: Olkowski, Deleuze, and the 'Ruin of Representation in _Film-Philosophy_, Deleuze Special Issue vol. 5 no. 36, November 2001 http://www.film-philosophy.com/vol5-2001/n36nechvatal
Nechvatal, J.  2000. Viractualiy Interview by Colin Goldberg. http://www.everbeta.net/txt/110900txtjnint.htm
Nechvatal, J.  2000. "Alterities: Interdisciplinarity and "Feminine" Practices of Space" at: http://www.mire.net/penelopes/pages/ntic/cyber/netchaval.htm
Nechvatal, J. 1999. Introduction to “Immersive Ideals/Critical Distances : A Study of the Affinity Between Artistic Idealogies Based in Virtual Reality and Previous Immersive Idioms” http://www.insead.fr/calt/Encyclopedia/ComputerSciences/VR/vr.htm
Nechvatal, J. 1999. Immersive Ideals/Critical Distances ; A Study of the Affinity Between Artistic Idealogies Based in Virtual Reality and Previous Immersive Idiom.  Newport : University of Wales College (PhD Thesis)
For a selection of art reviews written from 1993-2000 on other artists by Joseph Nechvatal - primarily for the web-site Rhizome http://www.zhizome.org - see:  http://www.dom.de/arts/artists/jnech/   under the publications link
Nechvatal, J. 1990a. Selected Writings. Paris: Editions Antoine Candau
Nechvatal, J. 1991a. An Ecstasy of Excess. Mönchengladbach: Juni-Verlag
Nechvatal, J. and Gagneur, D. eds. 1992. Excess in the Techno-mediacratic Society. Arbois: Musée d'Arbois
Nechvatal, J. 1983. "Epic Images and Contemporary History" In Real Life Magazine, No.11/12, Winter, 1983
Nechvatal, J. 1984. "Principles of Discord" In Unsound, Vol. 1, No. 2
Nechvatal, J. 1985. "Holding Out the Promise for Pure Regression" In New Observations, No. 28
Nechvatal, J. 1986. "State of the Art / Art of the State" In Spectacle, Fall Issue, 1986
Nechvatal, J. 1987a. "High Style" In Arts Magazine, April Issue 1987
Nechvatal, J. 1987b. "Post-Simulation Decadence" In Arts Magazine, Summer Issue, 1987
Nechvatal, J. 1987c. "Theoretical Statement Concerning Computer Robotic Paintings" In Documenta 8 Catalogue, Vol. 3
Nechvatal, J. 1987d. "A Prophylactic Discourse on Simulated Art" In Code, December Issue, 1987
Nechvatal, J. 1987e. "Simulation and Sublimation: The Law is for All" In Unsound, Vol. 3, No. 1
Nechvatal, J. 1988. "Reorganized Meditations on Mnemonic Threshold" In M/E/A/N/I/N/G  Contemporary Art Issues, No. 4, November, 1988
Nechvatal, J. 1989a. "Artistic Cynicism" In Art Criticism, Vol. 5, No. 3
Nechvatal, J. 1989b. "Cal Arts Lecture: An Excerpt" In Lund Art Press, Vol. 2
Nechvatal, J. 1989c. "Re-conceptualizing Drawing" In De Rijksakademie 08, pp. 12-13
Nechvatal, J. 1990b. "Hyper-death and the Scopic Corpse. In Artforum, November Issue, 1990, p. 130
Nechvatal, J. 1990c. "The Urge for Image and the Saturated Eye" on the Public DomaIn Web Site Perforations: http://www.pd.org
Nechvatal, J. 1990d. "Stealing from the Thief's Journal (Extraits traduits du Journal d'un Voleur)" Amsterdam: Picaron
Nechvatal, J. 1991b. "An Ecstasy of Excess" In Nechvatal, J. 1991. An Ecstasy of Excess. Mönchengladbach: Juni-Verlag, pp. 3-7
Nechvatal, J. 1991c. "The Artist and Familars" In Blast, Vol. 1, November /December, 1991
Nechvatal, J. 1991d. "The Collapse of the 80's Image" In M/E/A/N/I/N/G  Contemporary Art Issues, May Issue
Nechvatal, J. 1992a. "Outrances dans la Societe Techno-mediacratic" In Nechvatal, J. and Gagneur, D. 1992. Excess in the Techno-mediacratic Society. Arbois: Musée d'Arbois, p. 1
Nechvatal, J. 1992b. "Innovations in Image Technology" In M/E/A/N/I/N/G Contemporary Art Issues, No. 11, pp. 38-40
Nechvatal, J. 1993a. "Introduction to The Art of Excess in the Techno-mediacratic Society" In New Observationss, No. 94
Nechvatal, J. 1993b. "The Art of Excess in the Techno-mediacratic Society" In New Observations, No. 94
Nechvatal, J. 1993c. "The Computer and Conceptual Painting" In Gruson, L. ed. 1993. Joseph Nechvatal: Computer Virus Project. Arc-et-Senans: Fondation Claude-Nicolas Ledoux, pp. 29-32
Nechvatal, J. 1994. "New Territory of Significance" In New Observations, No. 104 
Nechvatal, J. 1997a. "Immersive Implications" In Ascott, R. ed. 1997. Consciousness Reframed: Conference Proceedings. Newport: CAiiA/University of Wales College
Nechvatal, J. 1997b. "Sex/MachIne/Art: From Mechanical Repetition to Electronic Flicker" In Intelligent Agent: Interactive Media In Arts and Education Fall Issue, pp. 74-79
Nechvatal, J. 1997c. "Computer Cynicism II" In Intelligent Agent: Interactive Media In Arts and Education Vo. 1, No. 12, pp. 155 and 165-166
Nechvatal, J. 1997d. "Artists and Familiars" In Ke-thar'sis Summer Issue, pp. 3-7
Nechvatal, J. 1997e. "Immersive Implications" In New Observations, No. 116, Fall 1997, pp.46-47 
Nechvatal, J. 1998. "Computer Cynicism" Perforations 13, http://www.pd.org/topos/perforations/perf13/compcyn.html 
Nechvatal, J., 1999a. "Frame and Excess" on Perforations 19, http://www.MacWeb3D.org/
Nechvatal, J., 1999b. "Henri Michaux's Mescaline Engendered Drawings (and their viral diagrammatic relevance to war)" on Perforations 20, LAST STORIES http://http://www.pd.org/perforations/perf-topics.html
Nechvatal, J., 2000a.“La beauté tragique: Mapping the Militarization of Spatial Cultural Consciousness”, Leonardo, Winter
Nechvatal, J., 2000b. “Henri Michaux's Mescaline Engendered Drawings (and their diagrammatic relevance to RHIZOME's "STARRYNIGHT" programming)”. Zing Magazine, Winter Edition

Bibliography on the Artist (selected)

2015 GianCarlo Pagliasso, Il deficit estetico nell'arte contemporanea. Un'analisi critica della forma-merce figurativa nel XXI secolo, Marcovalerio (collana Saggi) p.108
2014 Charlene Spretnak, The Spiritual Dynamic in Modern Art : Art History Reconsidered, 1800 to the Present, Palgrave Macmillan, p. 135, image #13
Marie-Laure Ryan, Lori Emerson, and Benjamin J. Robertson (eds), The Johns Hopkins Guide to Digital Media, Johns Hopkins University Press, p.501
GianCarlo Pagliasso, Cosmo e Virus: Joseph Nechvatal a Parigi, Zeta rivista internationale de poesia e ricerche, December 2014, page 3 (full page with 3 reproductions)
2013 Richard Milazzo, Introduction, Peter Halley, Selected Essays 1981-2001, Edgewise Press, N.Y, 2013, pp. 34-35
Patrick Lichty, Variant Analyses: Interrogations of New Media Art and Culture, Amsterdam, pp. 5, 83, 166
2012 Michael Bird, 100 Ideas that Changed Art, Laurence King Publishing Limited. 2012, pp. 198-199, reproduction of the painting Orgiastic abattOir : flawless ignudiO 
Douglas Dreishpoon, Louis Grachos & Heather Pesanti,, Decade: Contemporary Collecting 2002-2012, Albright-Knox Art Gallery, Buffalo, New York, 2012, p. 382, reproduction of two drawings from 1984
Thomas Bey William Bailey, Unofficial Release: Self-Released And Handmade Audio In Post-Industrial Society, Belsona Books Ltd., pp. 88-89, 2012
GianCarlo Pagliasso, nOise anusmOs, Verso #81 (Traduit de l'italien par Gérard-Georges Lemaire)
2011 Dominique Moulon, Art contemporain nouveaux médias, éditions Scala, 2011, p. 108
Gwen Allen, Artists' Magazines: An Alternative Space for Art', The MIT Press, 2011, p. 304
2010 Manuela de Barros, Noisy Viral Threat : Joseph Nechvatal: Review of Art rétinal revisité: histoire de l’oeil Published in Digitalarti Mag #4 October 2010
2009 Edward A. Shanken, Art and Electronic Media. London: Phaidon,  pp. 42, 285, 160
Corrado Levi, È andata così: Cronaca e critica dell'arte 1970-2008, Joseph Nechvatal intervistato nel suo studio a New York (1985-86), pp. 130-135
2008 Marie-Paule Nègre, Des artistes en leur monde, volume 2, la Gazette de l'Hotel Drout, pp. 82–83
John Johnston, The Allure of Machinic Life: Cybernetics, Artificial Life, and the New AI, MIT Press, cover
The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, National Gallery of Art, pp. 191 & 227
2007 Ebon Fisher, Wigglism, Leonardo, Vol. 40, Number I,  p 40, color image p. 43
Dominique Moulon, Conférence Report : Media Art in France, Un Point d'Actu, L'Art Numerique, pp. 124–125
2006 Frank Popper, From Technological to Virtual Art, MIT Press, pp. 120-123
Bruce Wands, Art in the Digital Age, Thames & Hudson Ltd, p. 65
Brandon Taylor, , Thames & Hudson Ltd, p. 221
Donald Kuspit, Arte Digital y Videoarte, Circulo de Bellas Artes Madrid, p. 33-35, color illustrations 2,3& 4
Dennis Michael Jon & Kristin Makholm, Vermillion Editions Limited: A History and Catalogue 1977-1992, pp. 186-187, illustrations of Nechvatal prints The Sex Prayers (1985) p. 86 & Push (1985-93) p. 87, Minneapolis Institute of Arts
Maximillien de Lafayette,United States and the World Face to Face: America's Best and Worst
2005 Joline Blais & Jon Ippolito, The Edge of Art,Thames & Hudson Ltd, p. 213
Mario Costa, Phenomenology of New Tech Arts, Artmedia, Salerno, p. 6 & pp. 36 – 38
Ken Reingold, Interactive Electronics for Artists and Inventors
Donald Kuspit, The Matrix of Sensations, artnet web magazine,
http://www.artnet.com/magazineus/features/kuspit/kuspit8-5-05.asp
2004 Christine Buci-Glucksmann, L’art à l’époque virtuel, in Frontières esthétiques de l’art, Arts 8, Paris: L’Harmattan
Henri-François Debailleux, Peinture. Les travaux de Joseph Nechvatal exposésà Paris, 27 octobre 2004, Liberation 
Brandon Taylor on Joseph Nechvatal in the book Collage, Thames & Hudson Ltd, p. 221
Dominique Moulon, L'art numerique: spectateur-acteuret vie artificielle, Les images numeriques #47-48, pp. 124–125
John Reed  “Joseph Nechvatal” Artforum Web 3-2004 Critc’s Picks
Alan Liu on Joseph Nechvatal in the book The Laws of Cool, Chicago Press, pp. 331-336 & 485-486
Évelyne Rogue “Interview with Joseph Nechvatal” artcogitans.com
Évelyne Rogue “Monographie sur CD de Joseph Nechvatal” http://www.artcogitans.com/Fr./Actus/E.Rogue.CD.J.Nechvatal.doc.pdf
Suzanne Anker on Joseph Nechvatal in “reprotech” catalogue
2003 Joe Lewis “vOluptuary: an algorithmic hermaphornology” March issue Art in America
Christiane Paul on Joseph Nechvatal in Digital Art (Thames & Hudson) 2003, pp. 57-58
Rachel Greene on Joseph Nechvatal March 26th www.rhizome.org
David M. Roth ‘Postfesh’ Artweek April 2003 
Sarah Maline on Joseph Nechvatal in “ polyALTERITY” UMF catalogue
2002 Robert C. Morgan “vOluptuary: an algorithic hermaphornology”  Tema Celeste Magazine #93  (page 94) Fall
Ken Johnson on Joseph Nechvatal, New York Times
Barbara Weidle “Computer paintings” artnet.com
2001 Nanette Wylde Regarding a Digital Aesthetic: Speculation in Context
Kevin Haas on Joseph Nechvatal at http://www.accumulated.org/sgc.html
Margot Lovejoy on Joseph Nechvatal in "Postmodern Currents: Art and Artists in the Age of Electronic Media", Prentice Hall Press
Ellen Levy on Joseph Nechvatal  in “Responses”, Art Journal Spring 2001
2000 Robert C. Morgan. “Joseph Nechvatal at Universal Concepts Unlimited “,NY Arts Magazine, December Issue, p.69
David Ebony, “Joseph Nechvatal at Universal Concepts Unlimited”, Artnet Magazine - http://www.artnet.com/Magazine/reviews/ebony/ebony(3)11-22-00.asp
Joy Garnett, “Newsgrist's Top 3: Nechvatal, Held, Ritchie”, Newsgrist, Volume 1, no. 51  (2000)
Robert C. Morgan, “Digital Hybrids”, pp. 75-76, in Art Press #255 (March)
1999 John Johnston, "Machinic Vision", p.39, in Critical Inquiry, Vol. 26, No. 1
Richard Krueger, Digital Hybrids Catalogue,  p. 5,Youngstown
Paul D. Miller, The Techno-Digita Sublime, Artbyte, Sept/Oct
1996 Wayne Enstice & Melody Peters, Drawing: Space, Form, & Expression, New Jersy: Prentice Hall, pp.312-313
Jay Murphy, "Joseph Nechvatal", Galeries Magazine
staff, "Bilder Zwischen Kulturwert und Schaulust" Kunstmarket Koln
staff, "Joseph Nechvatal: Computervirussen", Aalst Press
1995 staff, "Art Enters The Digital Age", Art News, Sept/Oct 
staff, "Joseph Nechvatal's Virus Developement", Cause Toujours #2, Mai
staff, "Joseph Nechvatal", CD-Media, Juin 
Cécile Ambert, "Virus Project", Nov Art, Juin,
Annick Hémery, Le Clone Du Trim, Joseph Nechvatal, Clone Mai,
staff. "Joseph Nechvatal", Liberation (March 24)
Picard, Gilles-Francois "Les Mysteres de l'art Fractal", La Gazette No II (17 Mars)
1994 staff. "Computer Virus Project", Bomb (Winter)
staff, "Joseph Nechvatal", Gazet Van Antwerpen
staff, "Joseph Nechvatal; Computerbilder", Kunst Munich
Annik Hémery, “Joseph Nechvatal sur les traces de Pasteur” http://www.imaginet.fr/clone/nechvat.htm
1993 Morgan, Robert C. “Nechvatal’s Visionary Computer Virus” In Gruson, L. ed. 1993. Joseph Nechvatal: Computer Virus Project. Arc-et-Senans: Fondation Claude-Nicolas Ledoux, pp. 8-15
staff. "Digital Diseases", Details (November)
staff. "Joseph Nechvatal, l'art sur ordinateur", Le Progress (August)
Conde, Susan "La Fractalite dans l'Art" (June)
Morgan, Robert C. "Joseph Nechvatal: Lamentations of the Soul" After the Deluge book)
Pagel, David "Techno Domination", Los Angeles Times (September)
Gruson, L. “A Case of Contamination” In Gruson, L. ed. 1993. Joseph Nechvatal: Computer Virus Project. Arc-et-Senans: Fondation Claude-Nicolas Ledoux, pp. 6-7
1992
Andre, Michael "Joseph Nechvatal", Cover (April)    
Hagen, Charles  "A Show of Five Artists Who Use the Look of Photo Reproduction", The New York, NY Times (May 18)
Pocock, Philip "Interview with Joseph Nechvatal", Journal of Contemporary Art (Fall)
Crockett, Tobey "I, Robot", Village View (March 1-7)
Frank, Peter "Art Pick of the Week", LA Weekly (March 22-28)
Mennetrier, J.L. "Joseph Nechvatal nouveau ' locataire' de la residence d'artiste", La Voit du Jura (September)
Tonkinson, Carole "Footloose", Elle Magazine (May)
1990 Amine, Patrick "Joseph Nechvatal, Galerie Antoine Candau", Art Press
Borum, Jenifer P. "Joseph Nechvatal", Artforum (October)
Cyphers, Peggy "Joseph Nechvatal", Arts (September)
Engelhorn, Patrizia "Landspace of Points", Prinz Magazine (November)
Groome, Carle VP. "Ex Statis by Joseph Nechvatal", Ear (October)
Pallentin, Christian "Kunst", Siam (December)
Steinlechner, Carin "Joseph Nechvatal", Donnerstag (October)
1989 staff "Joseph Nechvatal", Los Angeles Times (March 10)
Collins,Tricia & Milazzo, Richard "Hyperframes: A Post-Appropriation Discourse", Vol 1
Ehinger, Asa "Joseph malar med dator", Sydsvenskan, Lund
Frank, Peter "Pick of the Week", LA Weekly (April 7-13)
French, David "Joseph Nechvatal", Artscene (March)
Geer, Suvan "Joseph Nechvatal", L. A. Times, (December 15)
Lovejoy, Margot "Postmodern Currents : Art and Artists in the Age of  Electronic Media", UMI Research
Kandel, Susan "Joseph Nechvatal", Arts (Summer)
Marks, Ben "A Technology Under Control", Artweek (March)
1988 Bromberg, Craig "The Collaborative Itch", ArtNews (November)
McCormick, Carlo "Joseph Nechvatal", Artforum (March)
Miller, John "Joseph Nechvatal", Artscribe (Summer)
Morgan, Robert C. "Joseph Nechvatal", Arts (March)
Sem-Sandberg, Steve "Vart Visuella Kaos" (Our Visual Chaos) Svenska Dagladet (December 2)
Smith, Lawrence R.- and Hagley, Doug "An Interview with Joseph Nechvatal", Caliban 5
Zellen, Jody "Joseph Nechvatal at Shoshana Wayne", Art Issues (Summer)
1987 Hoog, Eckhard "Im Dschungel der Bilder Joseph Nechvatal im Aachener 
Kunstverein", Aachener Volkszeitung (May 22)
Levi, Corrado "Joseph Nechvatal", Cover (February)
Lottmann, Joachim "Documenta-Eindr¸cke von der Erˆffnung" Wolkenkratzer Art Journal (summer)
Malsch, Friedemann "Joseph Nechvatal Galerie Anna Friebe" Kunstforum (January)
Siffrin-Peters, Annette. Gewirr aus feinen Linien. Documenta-Teilnehmer
Joseph Nechvatal vorab in Aachen zu sehen, Aachener Nachrichten (May 22)
1986 Collins, Tricia and Milazzo, Richard "New York, NY: Tropical Codes", Kunstforum (March)
Collins, Tricia and Milazzo, Richard "Joseph Nechvatal: Grace Under Pressure", Differentia (Fall)
McCormick, Carlo " Joseph Nechvatal", Unsound Magazine (Vol.3 No.1)
Larson, Kay "The Flash of Truth", New York, NY Magazine" (October 27)
Levin, Kim "Artwalk", Village Voice (October 21)
Levin, Kim "Joseph Nechvatal" The Village Voice (October 14)
Morlung, Ursula "Pollock als Vorbild: Joseph Nechvatal in der Galerie Anna Friebe", Külner Stadt (October 24)
Raab, Jörgen "Humanisierung der Technik: Joseph Nechvatal bei Anna Friebe", Külner Illustrierte (November)
1985 Collins, Tricia and Milazzo, Richard "The New Sleep: Stasis and the Image-Bound Environment", Art Journal (Fall)
Crary, Jonathan "Joseph Nechvatal at Brooke Alexander",Art in America (January)
1985    Moore, Alan and Miler, Marc "ABC No Rio Dinero: The Story of a Lower East Side Art Gallery", Published by ABC No Rio with Collaborative Projects Inc. New York, NY
Pincus-Witten, Robert "The New Irascibles", Arts (September)
Raynor, Vivian "Joseph Nechvatal", The New York, NY Times (October 18)
1984 Brooks, Rosetta "Interview-Rhys Chatham & Joseph Nechvatal", ZG, (#12 Fall)
Cotter, Holland "Joseph Nechvatal", Arts (November)
Deak, Edit "The Critic Sees through the Cabbage Patch", Artforum, (April)
Fisher, Jean "Joseph Nechvatal", Artforum, (January)
Glueck, Grace "Joseph Nechvatal", The New York, NY Times (September 21)
Jones, Ronald "Joseph Nechvatal", Arts (December)
Kleyn, Robert "The Shadow Reflected", ZG (#12 Fall)
Kleyn, Robert "Protective Mimicry", Vanquard (March)
Kuspit, Donald "Joseph Nechvatal", Artforum (December)
Masheck, Joseph Smart Art, Published by Willis, Locker & Owens, New York, NY
Robinson, Walter and McCormick, Carlo "Slouching Toward Avenue D", Art in America (Summer)
1983
Fine, Kimberly "Joseph Nechvatal East Village Eye (October15)
Levin, Kim " Shock of the Old", Village Voice (September 27)
Levin, Kim "Joseph Nechvatal / Not Vital / Robin Weglinski", The Village Voice (May 17)
McCormick, Carlo "Joseph Nechvatal", New York, NY Beat (December)
1982
Lawson, Thomas "Joseph Nechvatal (The Kitchen)", Artforum (April)
Raynor, Vivian "The Automatic Salon", The New York, NY Times (June 18)
Russell, John "Inaugural Show-Jack Tilton Gallery", The New York, NY Times (October 7)

Public Collections

The Museum of Modern Art, New York, NY, USA
Los Angeles County Museum of Art, Los Angeles, USA
Museum of Contemporary Art, Los Angeles, USA
Israel Museum, Jerusalem, Israel
Jubitz Center for Modern and Contemporary Art, Portland Art Museum, Portland, Oregon
artothek: Raum für junge Kunst, Köln, Germany
The Schyl Foundation, Malmo Konsthall, Sweden
The Jewish Museum, New York, NY, USA
Moderna Muset, Stockholm, Sweden
New Mexico Museum of Art, Museum of New Mexico, Santee Fe, New Mexico, USA
Albright-Knox Art Gallery, Buffalo, New York, USA
Musee Leon Dierx, La Reunion, France
Frac Franche-Comte, France
Museum of Art, Rhode Island School of Design, Providence, Rhode Island, USA
Saline Royale, Arc-et-Senans, France
Saint Louis Art Museum, St. Louis, Missouri, USA
Musee de Dole, Dole, France
Portland Museum of Art, Portland, Maine, USA
Rose Goldsen Archive of New Media Art at Cornell University, Ithaca, NY, USA
Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania, USA
Weatherspoon Art Gallery, University of North Carolina, Greensboro, USA
The Municipal Museum of Art, Györ, Hungary
Robert Shiffler Foundation, Greenville Ohio, USA
The Minneapolis Institute of Arts, Minneapolis, USA
Malmö Konsthall, Sweden
University of Michigan Museum of Art, Ann Arbor, Michigan, USA
University of Alaska Museum of the North, Fairbanks, Alaska, USA
Honolulu Academy of Arts, Honolulu, Hawaii, USA
Cedar Rapids Museum of Art, Cedar Rapids, Iowa, USA
Spencer Museum of Art, The University of Kansas, Lawrence, Kansas, USA
Academy Art Museum, Easton, Maryland, USA
Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis, Minnesota, USA
Columbia Museum of Art, Columbia, South Carolina, USA
South Dakota Art Museum, South Dakota State University, Brookings, South Dakota, USA (image reproduced in The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, National Gallery of Art, 2008, p. 191)
Memphis Brooks Museum of Art, Memphis, Tennessee, USA
Blanton Museum of Art, University of Texas at Austin, Austin, Texas, USA
Nora Eccles Harrison Museum of Art, Utah State University, Logan, Utah, USA
Robert Hull Fleming Museum, University of Vermont, Burlington, Vermont, USA
Mississippi Museum of Art, Jackson, Mississippi, USA
Yellowstone Art Museum, Billings, Montana, USA
Marjorie Barrick Museum, University of Nevada Las Vegas, Las Vegas, Nevada, USA
Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, USA
Plains Art Museum, Fargo, North Dakota, USA
Akron Art Museum, Akron, Ohio, USA
Oklahoma City Museum of Art, Oklahoma City, Oklahoma, USA
University of Wyoming Art Museum, Laramie, Wyoming, USA (image reproduced in The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, National Gallery of Art, 2008, p. 227
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